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7th-13th March 2009, Malta “A Shared Portrait: creative dialogue at the Marsa Open Centre” The workshop, entitled “A Shared
Portrait: creative dialogue at the Marsa Open Centre”, was
organized by Atelier culture.projects on behalf of St James Cavalier
Centre for Creativity. It was curated by Love Difference and Atelier
culture.projects and coordinated by Love Difference.
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| Report Day
1, Saturday 7th Individual presentations: each person introduced themselves through an object which they feel represents themselves in some way. These were then all placed in the centre of the group. Participants spoke freely about themselves and others spontaneously asked questions about the object and its meanings. The group is an interdisciplinary one, some of the people already worked together as part of the AS_TIDE project others as part of the MOC staff team, while others are new to the group of people. The group is then divided into two rows, where participants are invited to stand one opposite another. Imagining being the person in front of them, they are asked some questions. A final collective drawing by all the participants based on the discussions in the workshop, collected the impressions of the first day. In the afternoon the workshop continued in a restricted group consisting of the artists and cultural operators (the outsiders). Also the mayor of the town of Marsa was present during this session and he put forward his point of view, also discussing the issue of immigration with all its political implications. The coordinators then explained the objectives of the workshop and the roles of everybody.
Day 2, Sunday 8th
The new participants introduced
themselves using their object, while the other participants presented
themselves again, adding some new information about themselves.
From here the group proceeded to the MOC in order to ‘enter’ the centre from the outside whilst being aware of the process and its impact. Divided into three groups, the conversation is maintained within the smaller groups, each of which containing one person from the MOC. During the journey there is the opportunity to discover more details and info about the place. A workshop is organised inside
the centre. Participants were invited to note their impressions
and feelings upon entering the centre, as though it were the first
time. Some participants were totally new to this environment,
others were very familiar. In the afternoon,
the workshop continued in a restricted group consisting of the
artists and cultural operators (the outsiders). The coordinators
gave a brief outline of the MOC and explained structures managing
the MOC.
Day 3, Monday 9th
The morning was dedicated to organising the space of the w-s. Drawings and outputs of the previous days were hung up on the walls. The afternoon session began with all the participants present, and the presentation of participants was completed. The workshop focused on the Image of the place - progressing from a subjective map of the centre, to an expression of emotions and expectations. Each participant drew a personal map of the Centre, and was then asked to reply to the following questions by marking their map with a symbol, a colour or a sentence.
Each participant
then described their map and the reasons for their answers. The workshop winds down with a coffee break, where the participants have the opportunity to have individual or small group conversations. After the MOC operators leave the group, a brief discussion is continued in a restricted group consisting of the artists and cultural operators (the outsiders). The maps are discussed, similarities are noted and personal observations are put forward.
Day 4, Tuesday 10th
The morning was used to collect the information of the previous day, to visit the Centre individually, and to establish one to one dialogues with the staff. The workshop commenced with a SWOT analysis. The participants were asked to reflect on the Strengths, Weaknesses, Opportunities and Threats of the Marsa Open Centre – these were tacked one at a time, using a different coloured post-it for each one. After each participant wrote the
word or sentence which fit each of the above, they were invited
to explanation their words/sentences to the rest of the group.
The group dynamic was rekindled with a dose of laughter during the game of ‘kiss the rabbit’. The first part of the Planning
of the New Centre followed. Three mixed groups (mixed departments,
artists, outsiders) were asked to plan the new imaginary MOC with
an unlimited budget. A new structure, management, activities and
rules had to be planned. Observations: Although plans had particular characteristics which reflected the ideas, ideals and ambitions of the group and for the place, a number of similarities were observed. The most prominent being controlled access to the Centre, a reduction in number of residents and a clear division between public and private space. The overall vision of the 3 groups was very much in line.
Day 5, Wednesday
11th
The morning was used to collect the information of the previous day, to visit the Centre individually, and to establish one to one dialogues with the staff. The workshop commenced with a recap
of the previous days, going through the various outcomes and briefly
over the main points emerging from the SWOT. The group was then asked to imagine
that in a number of years, they would have a grandchild, to who
they would teach something that they themselves learnt from being
at the MOC. The words were then stuck on the board by each person, who also read out their sentence and explained the reason for their choice of word. The planning of Tuesday was then
resumed, however this time the budget was cut down, so priorities
had to be selected when finalising the new Centre. After the workshop, a lengthy discussion
continued in a restricted group consisting of the artists and
cultural operators (the outsiders). Observations:
Day 6, Thursday 12th
The morning was used to collect the information of the previous day, to visit the Centre individually, and to establish one to one dialogues with the staff. For the conclusion of the workshop and the presentation of the individual group work of the New Centre, two main points were taken from the “values” identified the previous day, these being respect and dialogue. Each group got together for the last time over their plan for the New Centre in order to collate all the information put together over the last sessions, in order to present the plan envisaged, whilst considering whether the project answers the following question:
A presentation of the group projects and of the individual roles was then made to the group. Observations: Following the presentations, a moment of instinctive inputs and emotions were shared through two group activities. Standing in two rows facing each other, each participant was asked to write a personal proposal that they will apply in the next future including an indication of the time it would take them to realise it. This was shared with the partner facing them, who would become the “owner” of their resolution and who was entrusted with the task of checking whether their partner did what they proposed. Closure of
the workshop and final presentation of the process to the guests
invited to attend this final presentation event. |
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Workshop People ::
Coordination, facilitation and documentation: ::
As-Tide network artists: ::
Artists, researchers, contributors (Malta and international): ::
Marsa Open Centre staff: Report by Atelier culture.projects |
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